Watch & Listen

Pre-Concert Talk: Beethoven Symphony No. 8
Pre-Concert Talk: Beethoven Symphony No. 7
Pre-Concert Talk: Beethoven Symphony No. 6
Pre-Concert Talk: Chooi Plays Korngold
Pre-Concert Talk: Beethoven Symphony No. 4
Pre-Concert Talk: Goodyear Plays Shostakovich
Pre-Concert Talk: Beethoven Symphony No. 3
Pre-Concert Talk: Beethoven Symphony No. 2
Pre-Concert Talk: Beethoven Symphony No. 1
Pe-Concert Talk: Richard-Hamelin Plays Beethoven
Pre-Concert Talk: Celebrating John Williams!
Pre-Concert Talk: Mahler and Schumann, Being Robert Schumann, Part 3
Pre Concert Talk: Beethoven Symphonies
Pre Concert Talk: Vaughan Williams, Fantasia on a Theme of Thomas Tallis
VS Vignettes: Mike Byrne
Pre Concert Talk: Bach to Messiah
Pre-Concert Talk: Mendelssohn’s Italian Symphony – Being Robert Schumann (Part II)
Pre-Concert Talk: Brahms Serenade No. 2 – Being Robert Schumann
Pre-Concert Talk: Gershwin and Beyond
vsNEW: Lost Lake – Stavros Chrysoulis
vsNEW: Medieval Sea – Danae Kong
vsNEW: Graveyard at Midnight – Atticus Dachsel Kerr
vsNEW: The Adventure – Angela Nguyen
VS Vignettes: David Michaux
VS Vignettes: Emily Salmon
VS Vignettes: Annabelle Stanley
VS Vignettes: Christopher Reiche Boucher
VS Vignettes: Darren Buhr
VS Vignettes: Tori Gould
VS Vignettes: Paul Beauchesne
VS Vignettes: Stacey Boal
VS Vignettes: Müge Büyükçelen
Pre-Concert Talk: Haydn Symphonies; Morning, Noon, and Night
Pre-Concert Talk: Vivaldi and Piazzolla
VS Vignettes: Christine Prince
vsNEW: Mirage on the Silk Road – Houtian Zhong
vsNEW: Explainer
Pre Concert Talk: NOW! Contemporary Canadian Voices
Pre Concert Talk: Mahler Symphony No. 9
Pre-Concert Talk: Schubert Symphony No. 9 – Kluxen’s Return
Vivaldi’s Four Seasons
Angela Hewitt Plays Bach
Beethoven’s Triple Concerto

Pre-Concert Talk: Beethoven Symphony No. 6

Symphony No. 6 in F major, Op. 68 “Pastoral”
Ludwig van Beethoven (1770-1827)

Allegro ma non troppo – The Awakening of Joyful Impressions on Arrival in the Country
Andante molto mosso – Scene by the Brook
Allegro – Joyful Gathering of Country Folk
Allegro – Tempest, Storm
Allegretto – Shepherd’s Song, Glad and Thankful Feelings After the Storm

If Beethoven’s Fifth is built around a rhythmic motif, his Sixth overflows with melody and harmony. Both works made their debuts in the same chilly Viennese concert hall in December of 1808, and the “Pastoral” Symphony led off the four hour concert. Over the course of five movements—the final three played without pause—the music celebrates the simple pleasures of rural life and the wonder of nature. Alongside the drone of a bagpipe and a rustic dance, the sounds of a babbling brook, the calls of a cuckoo, a nightingale and a quail are heard. Ironically, Beethoven’s hearing had deteriorated enough by this time that such sounds were but a distant memory. Beethoven briefly expresses rage with a summer storm: the wind, thunder, and lightning tossing the music into evermore distant keys, before returning to F major. The sunlight returns, and the bucolic mood is restored with the shepherd’s song and we are left grateful for sharing this musical journey. As Beethoven once said, “No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo which man desires to hear.”

Victoria Symphony respectfully acknowledges and offers gratitude to the lək̓ʷəŋən people, known today as the Songhees and Xwsepsum Nations, whose unceded lands we live, work, and perform on. We honour their stewardship, care, and leadership — past, present, and future.