Watch & Listen

Pre-Concert Talk: Beethoven Symphony No. 8
Pre-Concert Talk: Beethoven Symphony No. 7
Pre-Concert Talk: Beethoven Symphony No. 6
Pre-Concert Talk: Chooi Plays Korngold
Pre-Concert Talk: Beethoven Symphony No. 4
Pre-Concert Talk: Goodyear Plays Shostakovich
Pre-Concert Talk: Beethoven Symphony No. 3
Pre-Concert Talk: Beethoven Symphony No. 2
Pre-Concert Talk: Beethoven Symphony No. 1
Pe-Concert Talk: Richard-Hamelin Plays Beethoven
Pre-Concert Talk: Celebrating John Williams!
Pre-Concert Talk: Mahler and Schumann, Being Robert Schumann, Part 3
Pre Concert Talk: Beethoven Symphonies
Pre Concert Talk: Vaughan Williams, Fantasia on a Theme of Thomas Tallis
VS Vignettes: Mike Byrne
Pre Concert Talk: Bach to Messiah
Pre-Concert Talk: Mendelssohn’s Italian Symphony – Being Robert Schumann (Part II)
Pre-Concert Talk: Brahms Serenade No. 2 – Being Robert Schumann
Pre-Concert Talk: Gershwin and Beyond
vsNEW: Lost Lake – Stavros Chrysoulis
vsNEW: Medieval Sea – Danae Kong
vsNEW: Graveyard at Midnight – Atticus Dachsel Kerr
vsNEW: The Adventure – Angela Nguyen
VS Vignettes: David Michaux
VS Vignettes: Emily Salmon
VS Vignettes: Annabelle Stanley
VS Vignettes: Christopher Reiche Boucher
VS Vignettes: Darren Buhr
VS Vignettes: Tori Gould
VS Vignettes: Paul Beauchesne
VS Vignettes: Stacey Boal
VS Vignettes: Müge Büyükçelen
Pre-Concert Talk: Haydn Symphonies; Morning, Noon, and Night
Pre-Concert Talk: Vivaldi and Piazzolla
VS Vignettes: Christine Prince
vsNEW: Mirage on the Silk Road – Houtian Zhong
vsNEW: Explainer
Pre Concert Talk: NOW! Contemporary Canadian Voices
Pre Concert Talk: Mahler Symphony No. 9
Pre-Concert Talk: Schubert Symphony No. 9 – Kluxen’s Return
Vivaldi’s Four Seasons
Angela Hewitt Plays Bach
Beethoven’s Triple Concerto

Pre-Concert Talk: Beethoven Symphony No. 3

Music Director, Christian Kluxen shares his thoughts in this pre-concert talk video on Beethoven's Symphony No. 3. Symphony No. 3 in E-flat major, Op. 55 “Eroica” Ludwig van Beethoven (1770-1827) Adagio molto – Allegro con brio Larghetto Scherzo: Allegro Allegro molto Beethoven’s “Eroica” symphony has become something of a milestone in the transition from the Classical to the Romantic eras in musical history. The earliest sketches date from his troubled days in Heiligenstadt, but the public premiere was given on April 7, 1805. It was longer, more complex, and technically challenging than what was commonly expected. Beethoven aimed at providing more than mere entertainment. He added the title “Eroica,” declaring it as being for “an unknown hero,” and the symphony stands strikingly on its own as a monument to man’s finest aspirations. The “heroic” qualities on display are testament to Beethoven’s determination to strike out on a new path.

Victoria Symphony respectfully acknowledges and offers gratitude to the lək̓ʷəŋən people, known today as the Songhees and Xwsepsum Nations, whose unceded lands we live, work, and perform on. We honour their stewardship, care, and leadership — past, present, and future.