Giuseppe Pietraroia, conductor

Giuseppe Pietraroia is Associate Conductor of the Victoria Symphony and newly appointed Principal Conductor of Pacific Opera Victoria. As a guest conductor he has been engaged by l’Orchestre Métropolitain, Orchestra London, Vancouver Symphony, Toronto Symphony, Calgary Philharmonic, Hamilton Philharmonic, Okanagan Symphony, Regina Symphony, Kingston Symphony and Thunder Bay Symphony.

His extensive opera engagements with Pacific Opera include productions of Il barbiere di Siviglia, La traviata, La bohème, Lucia di Lammermoor, Norma, Rigoletto, Manon Lescaut, Madama Butterfly, La Cenerentola, Tosca, and Let’s Make an Opera/The Little Sweep. In addition, he has conducted productions for l’Opéra de Montréal, l’Opéra de Québec, Opera Lyra Ottawa, Edmonton Opera, Opera New Brunswick, Calgary Opera’s Emerging Artist Program, and l’Institut Canadien d’Art Vocal.

With Victoria Choral Society, where he was Music Director for seven seasons, Maestro Pietraroia conducted performances of Handel’s Messiah and Mozart’s Mass in C minor with the Victoria Symphony, a choreographed production of Orff’s Carmina Burana in collaboration with Ballet Victoria, Dvořák’s Stabat Mater, David Fanshawe’s African Sanctus, and the Duruflé and Fauré Requiems.

Maestro Pietraroia has recorded a CD with soprano Marie-Josée Lord and l’Orchestre Métropolitain for the ATMA label, which won a Felix award granted by l’ADISQ and was also nominated for a JUNO award.

Giuseppe Pietraroia is the recipient of the George and Jane Heffelfinger Pacific Opera Victoria Artist of the Year Award and the Canada Council’s Jean-Marie Beaudet Award in Orchestral Conducting.

Tracy Dahl, soprano

Canada’s premiere coloratura soprano, Tracy Dahl, has appeared throughout her career with such esteemed opera companies as the Metropolitan, San Francisco, Houston Grand, Santa Fe and Calgary operas; the Canadian Opera Company, Pacific Opera Victoria, Teatro alla Scala (Milan) and the Théâtre du Châtelet (Paris). The “incredible Canadian soprano,” known for her agility and vocal range, values education alongside her impressive performing career as a Professor of Voice at the University of Manitoba.

Tracy Dahl’s recent engagement highlights included appearances with the Manitoba Chamber Orchestra, the Festival Opera de Quebec, Winnipeg Symphony, and the Canadian Opera Company in Cosi fan tutte. She has recently performed as soloist with the St. Louis Symphony in Carmina Burana and the Vancouver Symphony in Carmina Burana and Mahler’s Symphony No. 4. She also recently appeared with the Toronto Symphony Orchestra in Bernstein’s Candide Suite, and sung in a dual program with Adrianna Chuchman with the Manitoba Chamber Orchestra.

Her past opera successes include Despina in Così fan tutte with Canadian Opera Company; Gilda in Rigoletto with Edmonton Opera and Manitoba Opera; the title roles in Lucia di Lammermoor and Maria Stuarda with Pacific Opera Victoria; the world premieres of Unsuk Chin’s Alice in Wonderland and Peter Ash’s The Golden Ticket with Opera Theatre of St. Louis; Cunegonde in Candide and Mabel in The Pirates of Penzance with Calgary Opera; and Madame Mao in Nixon in China with Houston Grand Opera, Opera Colorado, Portland Opera, and Vancouver Opera. Among her many notable debuts are Adele in Die Fledermaus at the Metropolitan Opera, where she later returned as Zerbinetta in Ariadne auf Naxos, Florestine in the world premiere of The Ghosts of Versailles, and Valencienne in The Merry Widow; as well as Olympia in the San Francisco Opera production of Les contes d’Hoffmann opposite Plácido Domingo, where she returned as Oscar in Un ballo in maschera and the title role in Lucia di Lammermoor.

On concert stages, Tracy Dahl’s many appearances include an evening of Gershwin songs with the Philadelphia Orchestra; the Cleveland Orchestra at The Blossom Festival; the New York Philharmonic at Avery Fisher Hall; Vail Summer Music Festival; Mahler’s Symphony No. 8 with the Monterey Symphony; Britten’s Les Illuminations with the Manitoba Chamber Orchestra; a concert with the Melbourne Symphony Orchestra; Handel’s Messiah with both San Francisco and St. Louis symphonies. Her discography includes A Disney Spectacular with the Cincinnati Pops (Telarc), Glitter and Be Gay with the Calgary Philharmonic (CBC), A Gilbert and Sullivan Gala with the Winnipeg Symphony Orchestra (CBC), and Love Walked In, a Gershwin collection with the Bramwell Tovey Trio (Red Phone Box Company).

Born in Winnipeg, Tracy Dahl commenced her vocal training at age 12, and had her heart set on a career in musical theatre. During her studies at the Banff Centre, she successfully debuted as Barbarina in Mozart’s Le nozze di Figaro with the Manitoba Opera. Under the guidance of Mary Morrison and Martin Isepp, Dahl developed her career in opera, ultimately performing with world renowned symphonies, orchestras, and opera companies. In July 2017, Tracy Dahl had the high honor of being appointed to the Order of Canada for her accomplishments as an opera singer and for her commitment to mentoring the next generation of Canadian singers.

Pacific Opera Chorus

The Pacific Opera Chorus comprises adults of all ages and includes community singers, aspiring professionals, and vocal students at the Victoria Conservatory of Music and the University of Victoria. Over the last decade, with the support of a generous anonymous grant, Pacific Opera has offered a growing range of development opportunities for the Chorus. These include workshops on dance, movement, stage combat, and more, master classes by visiting artists, and other programs designed for members of the Chorus, as well as for other students of voice, and for practising artists working in the fields of music, theatre, stage design and direction.

“First mention has to go to the chorus, which did such an extraordinary job they came close to eclipsing the rest of the production. Under the direction of Giuseppe Pietraroia, the 30-member group of young vocal students, sprinkled with more experienced singers, raised the roof of the Royal Theatre when called upon, but also played their changing roles as soldiers, factory girls, townspeople, women of questionable moral character and bandits with both skill and commitment. Their sound was cohesive and powerful, but also sophisticated and refined. Astonishing for a volunteer chorus.” (Opera Canada, reviewing Pacific Opera’s October 2022 production of Bizet’s Carmen.)

Ballet Victoria

 Ballet Victoria is a boutique professional ballet company with four yearly productions. Our performances are dramatic, technically demanding, and often laced with humour.

Our ballets are accessible and relevant to a wide range of multi-cultural audiences spanning three generations. The shows are entertaining, hold great artistic depth and satisfy both those who discover classical ballet and the expert aficionado.

Under the direction of Paul Destrooper since 2007, the company has become a national cultural asset with 12 full time dancers, and has produced over 100 new works, and toured internationally in the USA and Mexico. Ballet Victoria enjoys a wonderful relationship with the Victoria Symphony, collaborating on as many creative endeavors as possible. The artistic team is constantly exploring new territory. Music creates an uncompromising range of choreographies, from Baroque music to Rock, from Opera to folk songs. The result: pure magic. The experience: fascinating. The memories pure delight.