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Mozart & Brahms

October 5 @ 2:30 pm

Triple-threat conductor/pianist/composer Dinuk Wijeratne returns with a program full of folk inspiration and musical variation. Contrasting with Mozart and Brahms, Wijeratne’s own work is described as “a melting pot of tabla-like dance rhythms, funky jazz riffs, and tonal clusters.” In Sri Lankan culture, vannamas are often danced in ritual processions, this one depicting the majesty of the sacred elephant bathing and frolicking in the abode of the gods!

Dinuk Wijeratne, conductor

The Sri Lankan-born Canadian Dinuk Wijeratne is a JUNO and multi-award-winning composer, conductor and pianist who has been described by the New York Times as ‘exuberantly creative’ and by the Toronto Star as ‘an artist who reflects a positive vision of our cultural future’. His boundary-crossing work sees him equally at home in collaborations with symphony orchestras and string quartets, tabla players and DJs, and takes him to international venues as poles apart as the Berlin Philharmonie and the North Sea Jazz Festival.

Dinuk has also appeared at Carnegie Hall, the Kennedy Center (Washington DC), Opera Bastille (Paris), Lincoln Center (New York), Teatro Colón (Buenos Aires), Sri Lanka, Japan, and across the Middle East. He was featured as a main character in ‘What would Beethoven do?’ – the documentary about innovation in Classical music featuring Eric Whitacre, Bobby McFerrin and Ben Zander. Recent performances include those with the San Francisco Symphony, National Youth Orchestra of Great Britain, and the Banff International String Quartet Competition; forthcoming projects include collaborations with Grammy-winners Elliot Madore and Avi Avital.

Dinuk has shared the stage and/or composed for: Yo Yo Ma & the Silk Road Ensemble, James Ehnes, Zakir Hussain, Sandeep Das, Kinan Azmeh, Ed Thigpen, Eric Vloeimans, the Gryphon Trio, TorQ Percussion, the Afiara, Danel, and Cecilia String Quartets; and with every major Canadian orchestra. Dinuk holds a doctorate from the University of Toronto, having also studied at the Juilliard School (with John Corigliano), Mannes College (US), and the Royal Northern College of Music (UK). He was recently appointed Assistant Professor to the Faculty of Music at the University of Ottawa. His music and collaborative work embrace the great diversity of his international background and influences.

Program notes to come.

ANTONÍN DVOŘÁK (1841—1904)
Slavonic Dance in C Major, Op. 46 No. 1, Presto ( Furiant )

BÉLA BARTÓK (1881—1945)
Romanian Folk Dances
I. Jocul cu bâta (Stick Dance)
II. Brâul (Waistband Dance)
III. Pe loc (Stamping Dance, or On the Spot)
IV. Buciumeana (Hornpipe Dance)
V. Poarga româneasca (Romanian Polka)
VI. Maruntel (Quick Dance)

DINUK WIJERATNE (b. 1978— )
Gajaga Vannama – Fantasy Variations on a Traditional Theme (2019)

intermission

WOLFGANG AMADEUS MOZART (1756—1791)
Symphony No. 31 in D Major, K.297/300a “Paris”
I. Allegro assai
II. Andantino
III. Allegro

JOHANNES BRAHMS (1833—1897)
Variations on a theme of Joseph Haydn, Op. 56a
Chorale St. Antoni: Andante
Variation I: Poco più animato
Variation II: Più vivace
Variation III: Con moto
Variation IV: Andante con moto
Variation V: Vivace
Variation VI: Vivace
Variation VII: Grazioso
Variation VIII: Presto non troppo
Finale: Andante

Details

Date:
October 5
Time:
starts at 2:30 pm
Event Category:

Venue

Royal Theatre
805 Broughton St + Google Map
Phone
250.386.6121

Concert Credits

Concert Programme

  • Dvořák
    Slavonic Dance, Op. 46, No. 1
  • Bartók
    Romanian Folk Dances
  • Dinuk Wijeratne
    Gajaga Vanama, Fantasy Variations on a Traditional Theme
  • Mozart
    Symphony No. 31 in D major, “Paris”
  • Brahms
    Variations on a Theme by Haydn

The Victoria Symphony performs on the traditional lands of the Songhees, Esquimalt, and W̱SÁNEĆ peoples whose historical relationships with the land continue to this day. We extend our respect as well as our appreciation for this opportunity.