Youth-focused Victoria Symphony Concert Features 23-Year-Old Guest Conductor and Greater Victoria Youth Orchestra

Victoria, BC – January 11, 2016

23-year-old prodigy Alexander Prior comes to Victoria January 23 & 24 to conduct a concert featuring teenaged guest musicians from the Greater Victoria Youth Orchestra.

Though Alexander Prior is but 23, his experience in the orchestral world is already great. Initially known as a composer, he was recognized by the BBC at 12 and he was just 14 when the Moscow State Ballet commissioned his ballet Moqgli: The Jungle Book. When he conducted its premiere in 2008, he became known for both; and at 17 he graduated from the St. Petersburg Conservatory with two Masters Degrees in Conducting and Composition. In 2009/10, he completed a fellowship as Assistant to the Conductor with the Seattle Symphony, and since then, he has been regularly engaged as a conductor, including appearances with the Edmonton Symphony, the Northern German Radio Symphony, Norwegian Radio Orchestra and Royal Danish Orchestra with nine sell-out performances.

The two performances he will lead in Victoria open with Canadian composer Harry Stafylakis’s Brittle Fracture, a work depicting a musical representation of material fractures from tensile stress. Later Prior will work with Victoria-born and Julliard-trained pianist Lorraine Min on Chopin’s Piano Concerto No. 1. This exquisitely beautiful work shows Chopin’s mastery of the instrument as well as the incredible skill of the performer. For the final work of the evening, Mussorgsky’s Pictures at an Exhibition, the VS will be joined onstage by members of the Greater Victoria Youth Orchestra (GVYO).

The incredibly keen youth musicians in the GVYO range from 13 years old to 25, though most are in high school. Yariv Aloni, Music Director of the group, said that the youth are “extremely excited – they can’t wait!” to take part. When one young musician realized that he would be playing next to a former GVYO member who now plays professionally for the VS, his eyes doubled in size. “He connected the dots that there is a professional future sitting right next to him,” said Aloni. The opportunity to play on a professional stage while still in high school is an exceptional experience for the young musicians. “To sit near a professional and play – they become the symphony for one night. They learn how one behaves, how one plays, how one reacts, all of those things are so incredible and so different from playing on your own. And of course, there’s the thrill of the music … the most important thing is to be able to play this phenomenal masterpiece,” Aloni said over the phone in early January.

World Renowned Conductor Yannick Nézet-Séguin Returns to His Roots to Help Victoria Symphony Celebrate 75th Anniversary Season

Victoria, BCDecember 22, 2015

Making a rare guest appearance, internationally-acclaimed conductor Yannick Nézet-Séguin, Music Director of the Philadelphia Orchestra, will lead the Victoria Symphony at a one-night-only concert on January 9, 2016.

If ever there were a Canadian superstar conductor, Yannick Nézet-Séguin is it. His popularity began in 2000, when he was appointed Music Director of l’Orchestre Symphonique de Montréal at just 25. Two years later after one guest appearance in Victoria, Nézet-Séguin was immediately engaged for a three-season term as Principal Guest Conductor of the Victoria Symphony. From 2003-2007, he made three Victoria appearances a year, all the while leading some of the best orchestras in the world, including the Orchestre National de France and the Frankfurt Radio Symphony Orchestra.

In 2006 – his final season with the Victoria Symphony – Nézet-Séguin was announced as the successor to Valery Gergiev as the new Music Director of the Rotterdam Philharmonic. Currently Music Director of the Philadelphia Orchestra – one of the world’s most acclaimed symphonic ensembles – as well as Rotterdam, Nézet-Séguin’s electric stage presence has captivated audiences around the world for the last decade. He has led many major orchestras including the Berlin Philharmonic, and the Vienna Philharmonic, and is a beloved guest at the Metropolitan Opera. Earlier this month, Nézet-Séguin was nominated for two 2016 Grammy awards: one for leading the Philadelphia Orchestra through Rachmaninoff and one with a Chamber Orchestra of Europe recording of Mozart.

Maestro Nézet-Séguin’s concert program in Victoria includes Bruckner’s soul-stirring Symphony No. 4 “Romantic” and Tchaikovsky’s beloved Romeo and Juliet: Overture-Fantasy.

Victoria Symphony continues to celebrate its 75th Anniversary Season with concert featuring James Ehnes and Mahler Symphony No. 5.

Victoria, BC – November 13, 2015

Canadian superstar violinist James Ehnes comes to Victoria to play Lalo’s Symphonie espagnole, and Victoria Symphony Music Director Tania Miller conducts Mahler’s Symphony No. 5 on November 21 & 22.

When Tania Miller and the music programming committee were planning the Victoria Symphony’s celebratory 75th anniversary season, James Ehnes was one of the first names mentioned as a guest to invite. Canadian Ehnes debuted with the Victoria Symphony in 1993 when he was still a teenager and has been back twice since then, playing Beethoven in 2009 and Sibelius in 2013. Labelled “the Jascha Heifetz of our day” (Globe and Mail), his 15/16 season includes performances with the Melbourne Symphony, the New York Philharmonic and the Mozarteumorchester Salzburg in addition to his two appearances in Victoria November 21 and 22.

For his Victoria Symphony appearance, Ehnes requested the Lalo Symphonie espagnole. Lalo, a French composer, wrote the work in 1874 for violin virtuoso Pablo de Sarasate; the Spanish influences and melodies in the work were designed to complement the colourful Spanish violinist de Sarasate. The Victoria public is sure to enjoy hearing James Ehnes’ brilliant take on this delightful work.

Tania Miller’s conducting experience with Mahler’s Symphony No. 5 began at her first serious competition in 2004. The Gustav Mahler Competition required young conductors to lead the Bamberg Symphony in an excerpt of the Mahler’s 5th – but they only found out which excerpt they were leading the night before their adjudication. This required extensive study of the entire 70-minute Symphony No. 5, a monumental task. (The competition was won by a then-relatively unknown conductor – Gustavo Dudamel.) Since then Miller has conducted bits of the work, but the performance on November 21 will be her first time leading it in its entirety. Miller said of the work:

“He takes us on a journey. Mahler is constantly searching for the meaning of life; how does man struggle with the challenges of life. Right at the beginning someone is hearing their own death march. In amongst all those thoughts are moments of nostalgia, memories, things that are part of your life. Mahler creates a world that moves from despair and darkness into celebration, joy and love.”

Maestra Miller will be on hand for pre-concert “Tania Talk” to offer insights into Mahler’s Symphony No. 5 in the west lobby of the Royal Theatre one hour before each concert. Admission is free for ticket holders.

To purchase tickets, pleas click here.

Victoria Symphony to Premiere First Commissioned Piece, “Echoes of Autumn,” By Composer in Residence Jared Miller

Victoria, BC – October 22, 2015

Victoria Symphony is set to premiere the first commissioned work, “Echoes of Autumn,” by Composer in Residence Jared Miller at the November 2 Legacy Series concert. Pianist Orli Shaham will play Mozart’s Piano Concerto No. 9 “Jeunehomme” and first-time guest conductor Stilian Kirov will lead the orchestra through Mendelssohn’s “Scottish” Symphony to complete the programme.

Raised in British Columbia, Jared Miller (of no relation to VS Music Director Tania Miller) began his tenure as composer in residence of the Victoria Symphony in the fall of 2014. A doctoral candidate at the Julliard School studying with John Corigliano, Miller has already begun his professional career, including a commission by the Vancouver Symphony Orchestra for the 2010 Olympic Games. Like many composers before him, Miller was inspired by the season when he wrote “Echoes of Autumn.” He writes:

“The season of autumn has always amazed me. Whether it’s the feeling of the cold crisp air, the reddish-brown colours of fallen leaves or the sight of them being swept up in a windstorm, something about this time of year makes me incredibly nostalgic. When I began writing this piece in the autumn of 2014, I was feeling reflective because for the first time in five years I was able to spend most of the season at home in British Columbia where I grew up.”

Miller based the work on a work he wrote as a sixteen-year-old, and “you can still hear fragments of my older music echoing throughout,” he promises.

“Brilliant pianist” (New York Times) Orli Shaham is as well known for her activities off the stage as on. Mother of two twin 8-year-olds, she is the curator of “Baby Got Bach,” an interactive concert program designed to introduce children aged 3 to 6 to classical instruments and music. In addition, Shaham hosted a feature on Classical Public Radio entitled “Dial-A-Musician,” where she interviewed fellow artists with readers’ questions. But foremost is Shaham’s talent as a pianist. Called a “first-rate Mozartean” by the Chicago Tribune, Shaham will appear with the Victoria Symphony on November 2 to perform Mozart’s Piano Concerto No. 9 “Jeunehomme.” Rising star Stilian Kirov will be on the podium for the Mozart, Miller’s premiere and the Mendelssohn Symphony No. 3 “Scottish.” Having recently completed his post as Associate Conductor with the Seattle Symphony, conductor Kirov has been appointed as Music Director for the Bakersfield Symphony and Symphony in C in New Jersey.

Percussive Hits

One Man, Two Hands, Four Mallets

Victoria, BC –October 16, 2015

The Victoria Symphony’s upcoming concert Percussive Hits includes pieces written in the past 50 years highlighting percussion. Soloists VS Principal Percussionist Corey Rae on marimba and guest Ed Hanley on tabla will make this concert exciting for both the eyes and the ears.

VS Principal Percussionist Corey Rae will play a large solo for his first time since joining the orchestra in 2012. The Concerto for Marimba and String Orchestra by Emmanuel Séjourné is a challenge for any percussionist, requiring coordination to play four mallets continuously throughout the 17-minute work. In addition to the visual acrobatics, a beautiful melody makes up the theme of each movement, carefully blending with the periodic dissonance. The showy work from 2005 has quickly entered the standard repertoire for marimba players, and will be enjoyable for all.

It is also unlikely concertgoers will have heard the second work with percussion solo, Diunk Wijeratne’s Concerto for Tabla and Orchestra. Wijeratne, a Sri-Lankan born, Canadian-based pianist labelled “exuberantly creative” by the New York Times, has integrated cultural influences of the Hindustani tabla into this upbeat concerto. Symphony Nova Scotia commissioned this work in 2011, which Wijeratne wrote specifically for tabla phenom Ed Hanley. The work’s premiere conductor (and VS Principal Guest Conductor) Bernhard Gueller will once again lead Ed Hanley through it October 24 with the Victoria Symphony.

In addition to these two percussive works, Gueller will also lead the strings and a percussionist through Arvo Pärt’s exquisite Fratres. One of Pärt’s most well-known works, Fratres celebrates dissonance and highlights its stark beauty, resulting in haunting music perfect for the setting of the Alix Goolden Hall. The lone “museum piece” work on the programme, Haydn’s “Drum Roll” Symphony, will bring the orchestra to life with its delightful melodies and rousing timpani part. Ninaivanjali by Quebecois Gabriel Dharmoo completes the evening.

Click here for concert information.

Rachmaninoff 2 & Tchaikovsky 5

Pianist of Most Popular Recording ever of Rachmaninoff Piano Concerto No. 2 Coming to Victoria to Perform It with Victoria Symphony

Victoria, BC – September 24, 2015

Anna Fedorova has the most popular recording ever of Rachmaninoff Piano Concerto No. 2, and will make her Victoria debut playing the technically demanding piano concerto. Conductor David Danzmayr, leads the orchestra through Tchaikovsky’s Symphony No. 5.

Appearing for the first time in Victoria, David Danzmayr is a conductor on the rise. Born and trained in Austria, Danzmayr spent the past three years as Music Director of the Illinois Philharmonic Orchestra and recently accepted the post as Principal Conductor of the Zagreb Philharmonic Orchestra in Croatia. While Danzmayr says he is strongly influenced by Pierre Boulez and enjoys programming American works like John Cage’s 4’33’, the concerts on October 3 and 4 feature two of the most frequently played works in the classical repertoire: Tchaikovsky Symphony No. 5 and Rachmaninoff Piano Concerto No. 2. “Music must grab the audience,” Danzmayr told a Bavarian newspaper last week, and there is little doubt that the concerts will do that. Tchaikovsky’s Fifth, with its recurring melody woven seamlessly throughout four movements is universally beloved, and Rachmaninoff’s Piano Concerto No. 2 demands a level of technical skill and lyricism available to only the most talented artists.

Internationally-acclaimed pianist Anna Fedorova certainly has the required artistry to perform Rach 2. Although she is just 25, millions of people have already seen her perform this adored concerto. In 2013, Fedorova played it with the Royal Concertgebouw in Amsterdam that was recorded and posted to youtube. Two years later, with over 4.5 million views, it is the most popular recording of the piece ever made.

The next most popular recording of Rachmaninoff’s Piano Concerto No. 2 was made by the composer himself. Though Rachmaninoff trained as both a pianist and a composer, he was primarily renowned in his lifetime for his performances. His first work, Prelude in C Sharp Minor, was published when he was just 19 and created a sensation because of its distinctive chords requiring enormous hands. The Piano Concerto No. 2 was similar, with immense chords demanding the fingers stretch up to a foot wide, and was considered unplayable by most performers of the day. Rachmaninoff benefitted from this immensely, as he was able to perform the solo himself at most presentations of the work. Though Anna Fedorova’s performance of the concerto will be her debut in Victoria, it will be her eighth time performing the piece this year.

Victoria Symphony Announces Kathryn Laurin as New Executive Director

Victoria, BC – September 9, 2015

The Victoria Symphony Society is pleased to announce the appointment of Kathryn Laurin as its next Executive Director and Chief Executive Office, commencing with the spring, 2016 retirement of Mitchell Krieger.

Ms. Laurin was formerly Professor of Music and Dean of the Faculty of Fine Arts at the University of Regina, President and Vice Chancellor of Mount St. Vincent University, and President of Camosun College.  Kathryn has balanced a distinguished career as an academic and professional musician with extensive experience as a senior administrative executive. In the artistic realm, her award winning ensembles captured accolades at both the national and international levels and were regularly broadcast on CBC Radio.  As a successful administrator Kathryn demonstrates effective and innovative leadership skills and operations management of complex organizations. In addition she has been highly successful at building strategic relations with community. She will bring her blended and varied skills to the helm of the Victoria Symphony with passion and energy.

“After an international search, we struck gold right here in Victoria,” said Harry Swain, President of the Symphony Board. “Kathryn Laurin is superbly qualified to make the VS an even more central part of Victoria’s cultural life.

“The Board of the Victoria Symphony wishes to acknowledge the leadership and contributions of Mitchell Krieger, who has done so much to put the orchestra on a sound financial and operational basis,” said Swain.

Says Laurin, “I am extremely pleased and fortunate to have the opportunity of working with this first class orchestra, one of the cultural jewels of BC. I look forward to continuing to position the Victoria Symphony as a leading innovative and vibrant arts organization in the community.”

The Victoria Symphony’s 75th Anniversary season begins September 21 with Victoria Symphony Opening Night with Special Guests Naden Band. Tickets for all concerts are now available at victoriasymphony.ca or by calling 250.385.6515.

Second Notice of Society’s Annual General Meeting

Victoria, BC – August 25, 2015

Notice is hereby given that the Annual General Meeting of the members of the Victoria Symphony Society, which shall be held on Wednesday, September 9, 2015 at Wood Hall, Victoria Conservatory of Music, 900 Johnson St, Victoria, BC at the hour of 6:00 pm, will include a vote of the Members on a proposed revised Bylaw, which may be viewed at the Victoria Symphony office, 610-620 View Street, Victoria during regular business hours until 5:00 pm on September 9, 2015, or on the Victoria Symphony website at:

www.victoriasymphony.ca/about-us/agm

Dated at Victoria, British Columbia August 25, 2015
www.victoriasymphony.ca

Notice of Society’s Annual General Meeting

 Victoria, BC – August 17, 2015

Notice is hereby given that the Annual General Meeting of the members of the Victoria Symphony Society shall be held on Wednesday, September 9, 2015 at Wood Hall, Victoria Conservatory of Music, 900 Johnson St, Victoria, BC at the hour of 6:00 pm for the following purposes:

  • Approval of the audited financial statements for the 2013/2014 fiscal year
  • Appointment of the auditors for the Society for the 2014/2015m fiscal year
  • Reports of Directors
  • Election of Directors

All subscribers and donors of $100 or more are members of the society and are invited to attend.

(Audited financial statements are available for inspection week of the AGM at the Victoria Symphony office, 620 View Street, Suite 610
Victoria, BC, during normal business hours and shall be made available at the Annual General Meeting.)
Dated at Victoria, British Columbia August 17, 2015

Chicago Sinfonetta founder Paul Freeman dies in Victoria, British Columbia at the age of 79

THE ASSOCIATED PRESS
JULY 22, 2015 07:04 PM

CHICAGO – Paul Freeman, the founder of the Chicago Sinfonetta, is dead at age 79.

The Sinfonetta announced Freeman’s death on its website, saying the conductor had been fighting several ailments in recent years. He retired in 2011.

Sinfonetta director of operations Courtney Perkins says Freeman died late Tuesday in Victoria, British Columbia, Canada, with his wife, Cornelia, and son, Douglas, at his side.

Freeman was born in Richmond, Virginia. He founded the Chicago Sinfonetta in 1987 as a mid-sized orchestra dedicated to promoting diversity and innovative programming.

In addition to classics, the orchestra performed music by minority composers. It also featured instruments considered offbeat for orchestras, including bagpipes, steel drums and sitars.

Perkins says Freeman’s family is planning a private ceremony in Victoria and a September public memorial service in Chicago.

© Copyright Times Colonist

– See more at: http://www.timescolonist.com/entertainment/chicago-sinfonetta-founder-paul-freeman-dies-in-victoria-british-columbia-at-the-age-of-79-1.2009380#sthash.RKIx8Hza.dpuf